My Website Had an Identity Crisis. All Five Identities Were Mine.

My branding was woefully inconsistent.

The website worked, technically. It just looked as though five different people had built it—and unfortunately, all five were me.

Every version of my business was still in there somewhere. Different colours. Different fonts. Different images. Different ways of explaining what I do.

Nothing was necessarily terrible on its own. Together, it felt like a village where every building had been designed by someone who refused to attend the planning meeting.

It was time to rebuild.

Before the website came the brand

I could’ve started moving boxes around and choosing prettier colours. That would’ve been fun for approximately twenty minutes. Then I would’ve created another page that looked lovely but had no particular relationship with the rest of the website.

So I stopped and worked on the brand first.

And I mean really worked on it.

I wanted to understand more than which shade of teal belonged on a button. I wanted to know what TechAlchemy should feel like to the people who arrive here.

The people I work with are often neurodivergent founders, makers, and creative business owners. They know their work. They care deeply about what they’re building. They’re not incapable of using technology.

They’re usually dealing with technology that expects them to remember seventeen steps, six passwords, and one setting buried under a menu last seen in 2019.

I don’t want my website to add to that feeling.

I want it to feel welcoming. Interesting. A little playful. Knowledgeable without looming over anyone in a suit and demanding to know whether they’ve optimized their funnel.

Most importantly, I want people to understand that their brain isn’t the problem.

Once I had a brand profile that reflected all of that, I loved it.

Then I looked at the website again.

Well.

The buildings began attending planning meetings

I started with the main pages: the landing page, How I Help, The Village, and About Me.

Slowly, the website began to look like one place.

The typography matched. The colours belonged together. The images felt as though they came from the same slightly peculiar world. The words sounded more like me and less like something assembled from several years of business advice.

It wasn’t simply prettier.

It was easier to understand.

People could move from one page to another without wondering whether they’d accidentally wandered into a neighbouring business.

That’s one of the things I’ve come to appreciate about branding. It isn’t just decoration. A good brand removes decisions.

I don’t have to choose a new heading style every time I build a page. I don’t have to wonder whether a button should be teal, orange, lime green, or something I found while unsupervised in a colour picker.

The brand remembers those decisions for me.

That’s useful because I have other things to remember. Allegedly.

Then I reached the blog

I wanted the blog to match the rest of the site.

This seemed reasonable.

The blog became Notes from Artemis’s Worktable, which feels much more like what it actually is: things I’ve learned while trying to make technology, AI, fiber arts, creative work, and business coexist peacefully.

The design came together beautifully.

Then I discovered the editor had developed a hobby.

Whenever I published a post and began writing another one, the previous post turned up again.

Not in a useful “Here’s a clean template for your next article” way.

More in a “Hello, I’m your last blog post and I live here now” way.

Titles, excerpts, layouts, and content had become tangled together. Some posts had images. Some didn’t. Some had titles and excerpts but appeared to have misplaced the actual article.

This wasn’t a blogging system. It was a junk drawer with a publish button.

The website was making me remember too much

The more we untangled it, the clearer the real problem became.

The website relied on hidden rules.

Use this editor, except when you shouldn’t. Duplicate this, but not that. Change this setting first. Don’t touch the other one. Remember which parts belong to the post and which parts belong to the template.

I’m sure this system made perfect sense at some point.

Many questionable systems do.

The trouble is that a system isn’t very helpful if it only works when I remember all its private rituals.

That’s especially true on a low-energy day. Or a busy day. Or a perfectly ordinary Tuesday when my brain has decided that remembering where I put my tea is already enough responsibility.

The system should remember how it works so I don’t have to.

So that’s what we rebuilt.

The website template now handles the title, date, featured image, typography, spacing, and everything else that should remain consistent.

The ordinary WordPress editor holds the article.

When I start a new post, I get a blank page.

You wouldn’t think a blank page would feel like a technological achievement, but here we are.

Some things were missing

While fixing the publishing system, I discovered that some older articles were missing their content.

The titles were there. The excerpts were there. WordPress knew that something had once existed.

But when I checked the revisions, the article itself had been replaced by a Divi placeholder.

It was the website equivalent of finding a carefully labelled storage box with absolutely nothing inside it.

I could’ve kept digging.

I could’ve searched through older databases, hosting backups, cached versions, abandoned files, and every digital cupboard I’ve used in the past five years.

For a moment, I considered it.

Then I remembered that I have a business to run and a finite number of hours in which to run it.

I’m not going to spend time I don’t have chasing posts I may never recover.

Some might be worth rewriting. Others can stay wherever missing blog posts go when they wander off unsupervised.

I’d rather build something that works going forward.

What I’m keeping from all of this

The website finally feels like the business I’m building now—not every version of the business I’ve ever considered building.

The brand gives me a way to make decisions without starting from scratch each time.

The templates handle the repetitive parts.

The editor lets me write.

And I’ve been reminded that stopping is sometimes part of fixing a problem.

Not every old thing needs to be recovered. Not every mystery needs to be solved. Sometimes the useful choice is to close the backup screen, make another cup of tea, and carry on with a better system.

This post exists because I stopped trying to recover an old one and wrote something new instead.

That feels like a decent trade.

Until next time friends...

When Life Gave Me Lemons I Got Busy

I want to tell you about today.

This morning someone handed me a lemon. A small one in the grand scheme of things — but it stung in that particular way that only happens when it comes from people you've shown up for.

I sat with it for a few minutes, got a little angry, and then did what I always do.

I got busy.

What I Built Today

I've been planning a NotebookLM workshop for May 27th. I've run workshops before - slides, screen share, the usual. They work. But they've never felt like me.

Today I decided to fix that.

I build virtual spaces on a platform called Rippily. And today I asked myself a question I'd never asked before:

What if the workshop room didn't just host the learning - what if it WAS the thing being learned?

The Room IS NotebookLM

NotebookLM is a Google AI tool that lets you load your own sources - books, articles, PDFs, YouTube videos - and have a conversation with them. Instead of reading six books cover to cover, you talk to all six at once. It pulls answers from your sources, shows you the exact passage it pulled from, and never makes things up.

I wanted participants to feel that before I said a single word about it.

So I built a room that looks like you're standing inside NotebookLM.

The back wall is a floor to ceiling glowing bookshelf - your sources, lit up and waiting. The left wall is the live chat interface. The right wall is the Studio panel. The ceiling is a constellation of neural connections - what it looks like when ideas from six different books start talking to each other.

Every wall has a purpose. Every element is interactive. The room reveals itself as the learning unfolds.

And through the windows? Lake Louise. Because I'm Canadian and I do what I want.

The Moment

My Grade 9 science teacher once stood on his desk and said "this classroom is a cell. The paint is the cell membrane and we are all cytoplasm."

I never forgot that lesson.

That's what I built today. A room where you don't watch someone explain a tool. You stand inside it.
Have you ever used NotebookLM and wondered what it would actually feel like to be inside it?

There's one moment near the end of the workshop where something happens in the room that I genuinely cannot wait for people to experience. I'm not going to tell you what it is.

You'll have to come and see.

The Workshop

TechAlchemy101 runs on the third Wednesday of every month. Each one covers a different tool for creative brains and neurospicy founders who are done being overwhelmed by technology.

The NotebookLM workshop is May 27th at 3pm Eastern. It's free.

Register here: TechAlchemy101 NotebookLM

One More Thing

To the people who handed me the lemon this morning - no hard feelings.

These things happen.

But here's what also happens - sometimes the lemon is exactly what you needed to get moving.

The silence didn't make me smaller.

It reminded me who I actually build things for.

Not bad for a rough morning. 🍁

Until next time friends...

Ender-3 V3 KE Review for Beginners – 3D Printing on Linux Mint as a Fiber Artist

We finally did it. We jumped on the 3D printing wagon, and honestly, it is way better than I expected.

My hubs and I spent far too many nights down the "best beginner 3D printer" rabbit hole before we landed on the Creality Ender-3 V3 KE 3D printer. It is marketed as friendly for beginners and hobbyists, and after a week with it, I would say they are not wrong.

Is this a super technical Ender-3 V3 KE review? Nope. This is the "real human learning 3D printing for beginners while chasing dopamine" version.

Why I Wanted a 3D Printer as a Fiber Artist

I have been a fiber artist for decades, happily collecting techniques like other people collect mugs. Knitting, crochet, mixed media, photography, art... if it lets my hands stay busy, I am in.

The problem: I take my projects everywhere.

That means I have spent a ridiculous amount of time (and more money than I want to admit) trying to figure out the best way to:

  • Carry my yarn and projects
  • Keep tools from stabbing through bags
  • Not lose tiny scissors, needles, and stitch markers in the bottom of the void

So when I started looking into 3D printing for crafters and fiber artists, my brain went:

"Oh. This is it. This is NerdVanna."

I wanted a printer that would let me create:

  • Tool organizers
  • Yarn and project containers
  • Photography gadgets
  • Fun gifts for friends and family

Enter the Ender-3 V3 KE.

3D Printing on Linux Mint: Installing Creality Print

I am running **Linux Mint**, so one of my first questions was:
*Can I actually get the slicer software to work without a three day meltdown?*

Good news: yes.

I downloaded Creality Print and got it running on Linux Mint without drama.

Quick note for Linux Mint users:
Install the Flatpak version using `sudo` so everything has the permissions it needs.

Once it was installed and I opened Creality Print for the first time, I felt like I had just landed in a strange new world.
Buttons everywhere. Grid. Ghost printer. Settings. More settings.

And you know what? It was fantastic.

creatity print scrnsht

This is where the "3D printing for beginners" journey really starts: awkward clicking, random hovering, and the eternal question:

"If I press this, will it explode or just slice something?"

Discovering Free 3D Print Files: Thingiverse Adventure

One of the best parts about getting into 3D printing as a beginner is realizing there are already entire libraries of free projects out there.

My first stop: Thingiverse.

For a total newbie, it felt like a toy store. I started with photography tools and found:

Very cool. Very useful. But this is not what broke my brain.

That happened when I typed one little word into the search bar:

"yarn"

3D Printing for Fiber Artists: The Yarn Ball Container

Front and center was this glorious thing:

firstcaseprint2

Surprise Yarn Ball Container

A container that looks like a ball of yarn.
Roughly the size of a 100 g skein.
Designed to hold tools.

For someone who lives inside a yarn-filled brain, this was a direct hit.

I needed this print in my hands yesterday.

Slicing, Printing and Failing Forward

So I downloaded the files, pulled them into Creality Print, stared at the screen and thought:

"Hmmm... now what?"

My husband had already printed the iconic little Benchy boat, which in 3D printing world is the starter boss, so he was officially "slightly more experienced."

Together we:

1. Chose the Ender-3 V3 KE as the printer profile
2. Let Creality Print do auto-supports
3. Sliced the model
4. Exported it to the printer
5. Hit print and hoped for the best

We printed the first half of the container. Twice.

And it was… not great.

  • Holes where there should never be holes
  • Walls too thin and flimsy
  • Not even close to "tossable in a project bag" quality

I was disappointed, but if there is one thing fiber arts has trained me for, it is stubborn persistence. If I can frog an entire sweater and start over, I can reprint a fake ball of yarn.

Finding a Better Remix: Screwed Together, Not Popping Open

While the second print was going, I did what any proper crafter does when something is not working: I opened another tab and kept going.

Digging deeper into Thingiverse, I found a remixed version of the yarn ball container where the two halves screw together.

Even better:

  • No random popping open
  • No tools rolling across the floor
  • Less chaos in my bag

I downloaded the remix, pulled it into Creality Print, and did a bit more research into:

  • Wall thickness
  • Infill percentage
  • Print speed

Then I held my breath, clicked **Print**, and walked away before I could start micromanaging the machine.

Victory: A Yarn Ball Tool Container That Actually Works

This time, it worked.

The new version printed beautifully:

  • The walls were thicker and solid
  • The container was basically watertight
  • The supports snapped off without too much fuss
firstcaseprint

End result:
I now have a yarn-ball-shaped container that:

  • Holds my hooks, needles, and tiny scissors
  • Screws securely closed
  • Fits perfectly in the pocket of my bag

My precious tools are now living inside a fake ball of wool, and I am unreasonably happy about it.

This is exactly the kind of thing that makes **3D printing for fiber artists** so powerful. It is not just toys and figurines. It is:

  • Custom organizers
  • Project-specific containers
  • Little quality-of-life upgrades for your making life

3D Printing for Beginners: What I Have Learned So Far

After just a week with the Ender-3 V3 KE and Creality Print on Linux Mint, here is my quick beginner take:

What I am loving

  • Beginner friendly setup: Once we got a feel for it, the Ender-3 V3 KE has been approachable, even as a first 3D printer.
  • Linux Mint friendly: Creality Print runs on my Linux system, which makes my inner nerd very happy.
  • Endless project ideas: Thingiverse and other repositories make it easy to start printing right away without designing everything from scratch.

What I am still figuring out

  • Dialing in the "perfect" print settings
  • Understanding when to tweak wall thickness, supports and infill
  • Not starting five new prints in a row just because I found a cute gadget

Christmas, Gifts and Future Chaos

Christmas is creeping closer, so I am not going to spoil what we are printing for friends and family. Let us just say:

  • The Ender-3 V3 KE is getting a workout
  • We are absolutely using 3D printing for gifts
  • My creative and nerdy sides are having a full-on party

3D printing has officially joined the list of tools in my creative studio, right next to the yarn, hooks, needles and paints.

If you are a crafter or fiber artist wondering whether 3D printing for beginners is worth the trouble, here is my answer after one week:

Yes. Especially if you are the kind of person who gets way too excited about storage solutions, custom tools and yarn-shaped containers.

Stay tuned. This is only the first layer.

Until next time friends...

reindeer costume